Leigh Barbier
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"Artist examines CV" color pencil on paper 9 x 12"
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"City Dwellers" color pencil on paper, 8 x 10" 2020
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"Self Care" color pencil on paper, 9 x 12" 2020
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The soldier's dress, ceramic 12" x 4" 2020
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The Survivor, porcelain (low fire glazed) 6” x 3 x 3” 2020
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One arm smokers, porcelain with low fired glazes
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"One arm smoker" (detail) with drawing "Misfit Army"
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"Misfit Army" oil, collage, drawing on paper, 60 x 132"
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The Bathers, graphite and acrylic on paper, 40 x 60”
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Valley of Decision and Trade, Leigh Barbier, Gouache, acrylic, ink and color pencil on paper
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The Nap, Leigh Barbier, 2011, muslin, thread, ceramic and photograph
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The Portal, Leigh Barbier, 2011, muslin, thread, ceramic and photograph
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The Search, Leigh Barbier, 2011, muslin, thread, ceramic and photograph
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Simone's cave, Leigh Barbier, 2011, muslin, thread, ceramic and photo
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Valley of Observation and Surrender, Leigh Barbier, 2011, Gouache, acrylic, ink and color pencil on paper
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Valley of War and Brotherhood, Leigh Barbier, 2011, Gouache, acrylic, ink and color pencil on paper
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Valley of Triple Happiness, Leigh Barbier, 2011, Gouache, acrylic, ink and color pencil on paper
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Walk Alone William, Leigh Barbier, Gouache, acrylic, ink and color pencil on paper
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The Other side of Midnight, Leigh Barbier, sculpture: high fired ceramic
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Florine doing Leg Lifts, Leigh Barbier, gouache, color pencil on paper, 2013
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Florine with Forest, Leigh Barbier, gouache, color pencil on paper, 2013
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Florine with Gimpy Knee, Leigh Barbier, gouache, color pencil on paper, 2013
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Florine of Crete, Leigh Barbier, gouache, color pencil on paper, 2013
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Florine giving birth, Leigh Barbier, gouache, color pencil on paper, 2013
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The Pumpkin Eaters, Leigh Barbier, gouache, acrylic, color pencil on paper, 2013
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The Makers, Leigh Barbier, gouache, acrylic, color pencil on paper, 2013
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Florine Giving Birth, high fired ceramic, glaze, thread, fabric, oil paint, 2015,
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John Harold, high fired ceramic and glaze, 11.5” ht X 16” wide, 2015
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Base Camp at Buggenheon, acrylic, ink and color pencil on paper, 40 X 90” 2015
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The Soup Makers, gouache, acrylic, ink and color pencil on paper, 40 X 60” 2015
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The Weeper, oil and thread on canvas, 8 X 10” 2015,
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The Ruminator, oil, thread, pine cone, on canvas, 9 X 10” 2015
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The Mother, oil, thread, pom pom on canvas, 8 X 10” 2015
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Rising Star, oil, thread and doll on canvas, 9 X 12” 2015
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Black Nose, oil on canvas, 16 X 20” 2015,
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Mona Lisa, oil on canvas, 16 X 20” 2015
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Sigmond, oil on canvas, 16 X 20” 2015
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Vivian, oil and thread on canvas, 9 X 12” 2015
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The Therapist’s Wife, oil on canvas, 16 X 20” 2015
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The Boy with Promise, high fired ceramic, glaze, oil paint, thread, fabric, 11” ht X 13” wide, 2015
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The Old Woman, high fired ceramic, oil paint, 12” ht X 10” wide, 2015
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Girl, oil on paper, 36 x 30" 2016
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Jesus, oil on paper, 12 x 12" 2017
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Woman to Girl, 20 x 24" 2017
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Long arm smoker, ceramic, glazed, fabric, cardboard, 24” x 5 x 3” 2020
Leigh Barbier is a digital painter, creating other worlds for the special effects movie industry at Industrial Light and Magic. She has worked on such films as Star Wars, Episode one and two and more recently on Rango. Freelancing between gigs at ILM, she’s worked with San Francisco’s art/music legends The Residents, creating illustrations, sculpture, and masks for their stage performances. Barbier has also built dioramas for the California Academy of Sciences, and joined the all-girl team to make a giant baseball mitt for the Giants’ ballpark.
With such a resumé of alternate world-building, it’s no surprise that her own artwork creates a rich landscape called ‘Mushroomville’. Inspired by religious art, muralists of the Mexican Revolution, and lingering 60's Disney imagery, Barbier's enchanting yet sinister "Mushroomville" is an all-female community in a physically spare yet emotionally rich countryside, dotted with occasional log cabins, brick buildings, or hollowed trees for shelter. Each woman enters Mushroomville through her own personal portal, tailored to meet her psychological needs for escape or transformation. Their Mushroom is a metaphor for life’s duplicitous nature, symbolizing the core of their culture, and provides Barbier with a world in which to transform her own or the viewer’s emotions into physical form.
Leigh's work holds intense psychological subterfuge, as found in the work of Frida Kahlo or de Chirico, with figurative depictions reminiscent of Diego Rivera or Thomas Hart Benton. Her sculptural works combine a wise woman’s all-seeing eye, raw emotional metaphors, and the whimsy of Niki de Saint Phalle, Louise Bourgeois and Kiki Smith.
link to interview: SF Chronicle "Biospheres"
http://www.terpstradesign.com/Barbier_ChronicleInterviewBiospheres/
link to article in SF Gate "The_Inbetween_Forest"
http://www.sfgate.com/art/article/Artist-Leigh-Barbier-introduces-superh...